Patricia Claro and her water language
Claro is a part of the Curitiba Biennial
El Mercurio, Chile, December 2017
Patricia Claro and the language of water
Patricia Claro’s journey in the art world
Revista Apóstol en Familia, Chile, June 2017
Patricia Claro and her art in the Mato Grosso Waters
Paintings, pictures and videos of lakes and rivers
Artes y Letras, Diario El Mercurio, Chile, March 2016
10 best chilean landscapes
Chilean Landscapes: ¿our only artistic tradition?
Artes y Letras, Diario El Mercurio, Chile, September 2016
Localized Aesthetics
Work of chilean painter Patricia Claro
Correio do estado, Brasil, June 2016
Olhar Apurado
Work of chilean artist Patricia Claro
Campo Grande MS, Brasil, June 2016
To read water as poetry
Formas D’Agua, the work of chilean artist Patricia Claro
Correio, Brasil, March 2016
Water as a form of art
National Museum receives the multimedia work of chilean artist Patricia Claro
Metro, Brasil, March 2016
Art Exhibition marks Water Day
Chilean artist uses video and other media to show the artistic possibilities of water.
Destak, Brasil, March 2016
Patricia Claro: a mental inquiry
Truth and illusion. A landscape made of water. The mischief of light.
By Gina Benvenuto
Periódico al Límite, 2010.
Artist highlight: Patricia Claro
Let the light make the drawing
Arte al Límite, May 2015.
Best of Contemporary Art in the 56th Venice Biennial
The show gathers 136 artists from 90 countries.
Diario El Mercurio, May 2015.
New book compiles artists from Universidad Católica
Includes 100 diverse painters.
Diario El Mercurio, August 2015.
Patricia Claro, from visible to invisible
Her subject is water: its shadows, deformations and changes
Revista AAL, January 2015.
Water flow as inspiration for artistic creation
Several artists talked about art and the relation with water resources
Diario Concepción, January 2015
Hidden dimensions of water are presented in Pinacoteca of UdeC
Work by Patricia Claro and Teresa Gazitúa.
Diario El Sur, January 2015
The artist who paints water sensations
Exhibition “FORMS OF WATER”, Pinacoteca Universidad de Concepción, January-February 2015.
El Mercurio, by Daniela Silva Astorga, January 2015
Patricia Claro in Revista ED
Exhibition “MOTION AND DISTORTION”, Frederico Sève Gallery, New York, May 2013.
Patricia Claro exhibits in Frederico Sève Gallery, Nueva York
“Motion and Distortion” is titled the exhibition of six paintings and a video of the featured artist.
by Daniel Swinburn, Diario El Mercurio, April 2013.
Patricia Claro: “I take from Río Bueno, eight seconds of time”
by Cecilia Valdés Urrutia, Artes y Letras, Diario El Mercurio, November 2011.
Animal Gallery closes with three exhibitions showing paintings, videos and installation
Solo Show of Patricia Claro “Time and Rivers don’t Flow Back”
La Tercera, Noviember 15, 2011.
Patricia Claro: A Pictorial Epistemology
The artist explores the possibilities of knowledge. The truths and illusions of the mental flow. A landscape made of water.
by Gina Benvenuto, Arte Al Límite magazine Nº 44, September-October 2010.
“A hint of Warhol left wanting more”
“Time and Rivers don’t Flow Back”. Particular painting technique of Patricia Claro, with brilliant eloquence to show the flow of a southern river.
by Waldemar Sommer, Diario El Mercurio, Artes y Letras, December 4, 2011.
“Patricia Claro, Submerged”
She participated in May in Arteba, the International Contemporary Art Fair of Buenos Aires, and is already working for her next solo exhibition at the year’s end in Animal Gallery.
by Carolina Díaz, East Side Magazine, Nº 33, June 2008.
“Clear Water”
From far away, Patricia Claro’s paintings are perfect pictures of different views of the water; from closer, a universe of textures. Only with one individual exhibition, we can already clearly see this artist’s future.
by María Jesús Carvallo, ED Magazine Nº 161, March, 2009.
Patricia Claro: “I create a Post-landscape”
She has just inaugurated, in Galería Animal, her first individual exhibition. It reveals her original and surprising graphic work. “All landscapers have always looked towards the horizon; I look down”.
by Magaly Arenas Zapata, Artes y Letras, EL MERCURIO, December 7, 2008.
Patricia Claro, Redescovering the Landscape.
Until January 3rd, Galería Animal exhibits the last paintings of an artist that, by a careful digital and pictorial technique, achieves the establishment of a new approximation to the natural surrounding register.
Periódico Arte Al Límite, December 2008.
Patricia Claro y Ricardo Maffei: “When Realism Suggests”
Patricia Claro depicts the calm and flow of waters with its lights and shadows, brightness and transparencies, with reflections of its surroundings. This is the genuine theme of Patricia Claro which is now being shown in Animal Gallery.
by Waldemar Sommer, Diario El Mercurio, Artes y Letras, December 28, 2008.
”Curator of the Biennial of The End of the World wants chilean art”
Alfons Hug came from Ushuaia to our country in a search for new talents and to add them to Sebastián Preece and Claudia Aravena, who already integrated their projects.
by Carolina Lara, El Mercurio, Culture, May 5, 2009.
Was inaugurated the Second Biennial of The End of the World
With the presence of important personalities of contemporary art scene.
by Mercedes Pérez Bergliaffa, CLARÍN, April 24, 2009, Buenos Aires, Argentina.
Final Landscape: Paintings and Photographs of Patagonia
Is a FONDART project with artists María José Concha and Patricia Claro, young painters and photographer José Viviani.
El Diario de Aysén, January 15, 2008.
Exhibition “Final Landscape” at Espacio Arte Aysén
FONDART Project with paintings of Patricia Claro and María José Concha, and photographs of José Viviani.
Diario El Divisadero, Aysén, January 16, 2008.
“Patricia Claro: LIQUID LANDSCAPES”
Solo Exhibition “Another Landscape”, Kelley Roy Gallery, Wynwood Art District, Miami, USA.
by Denise Colson, Revista Art District, Volumen 1, Nº4, February – March, 2010.
Art News, “Another Landscape”: Patricia Claro
Art Districts Florida Vol 1 Nº 21, October-November 2009
“The Chosen Dozen”
Twelve members of AICA, the association that brings together the leading art critics of the country presented their selection in this exhibition organized by the University of Talca in their Santiago headquarters. With expert voice, eight of them give their reasons for choosing this group of artists among many young talents.
Vivienda & Decoración edition Nº 692, El Mercurio, October 10, 2009.
“Doce x Doce”
by Nena Ossa, Universidad de Talca – AICA, October 2009.
Land – Shape
Exhibition at Corporación Cultural de Las Condes.
Itinerary, Artes y Letras, El Mercurio, July 1st, 2007
Pieces of Reality
Current News, Diario El Mercurio, Vivienda y Decoración, July, 2007.
Land Shape, Patricia Claro + María José Concha
Blank Out Magazine Nº 24, July, 2007.
Chiuminatto, Concha y Claro: Gazing Upon the Landscape
A typical pictorial theme, landscapes, has been interpreted in three different ways by two female artists, in “Instituto Cultural de Las Condes”, and by a male artist with trajectory, in “Sala Gasco”.
by Waldemar Sommer, Diario El Mercurio, Artes y Letras, July 15, 2007.
Patricia Claro, Absent Nature
Having a hyper-realistic and abstract appearance in the view’s cut, this Chilean painter’s landscapes poses a topic renewal from the pictorial illusionism and a creative process of multiple stages, where generally they are photographic close-ups of water manipulated by digital means, then used to work the painting with profuse manual technique.
by Anita Lavín, Arte Al Límite Magazine, Nº 30, March-April, 2008.
Who Darwins Indianer Litten
Even Tierra del Fuego is now territory of the art world: the “Biennial of the End of the World” in Ushuaia.
By Sebastian Preuss, Berliner Zeitung, No. 108, May 11, 2009
Patricia Claro: A Mental Inquiry
Truths and Illusions. A landscape made of water. Mischiefs of light.
By Gina Benvenuto, degree in Aesthetics and journalist, newspaper Al Limit Nº 61, August, 2010,
Inspiring Nature
These eight artists see the landscape in a unique way. His works are not governed by the canons of classical figuration or remain in the photographic limits. They explore further, experimenting with subtlety to approach near abstraction.
by Luz Maria Prat de la Vega, El Mercurio, Housing and Decor, July 7, 2007.
The Art of Inclusion
What happens when an expert starts to paint with a child suffering from a disorder in its grouth? The MIRAME Foundation, which promotes the inclusion of children with special needs in the national education system, invited 20 visual artists to live this experience. The experienced by these three working duos remained on these testimonies.
by Sofia Beuchat, 1402 nbr WOMAN Magazine, Diario La Tercera, Sunday, August 23, 2009
TERAIKE Contest: Chilean painters meet in Patagonia
In Braun Menéndez palace –current Patagonia Museum- was inaugurated the third edition of the international competition “Teraike: Painting Patagonia”. With specialists arrived from Spain, Argentina and from other Chilean cities, this meeting goes around the natural and historical legacy of Magallanes.
By Cecilia Valdés Urrutia, Arts and Letters, El Mercurio, April 2011