{"id":1286,"date":"2014-01-22T11:30:25","date_gmt":"2014-01-22T14:30:25","guid":{"rendered":"http:\/\/patriciaclaro.com\/en\/?p=1286"},"modified":"2014-05-26T21:21:15","modified_gmt":"2014-05-27T00:21:15","slug":"arte-en-2007-pobre-por-fuera-rico-por-dentro","status":"publish","type":"post","link":"http:\/\/patriciaclaro.com\/en\/?p=1286","title":{"rendered":"Art in 2007: Poor in the outside, rich in the inside."},"content":{"rendered":"<p>Artes y Letras, EL MERCURIO.<br \/>\nWaldemar Sommer.<\/p>\n<hr \/>\n<p>With respect to the traditionally poor quality of foreign exhibitions \u2013 it seems like our Los Andes mountain stops them-, the year that just ended did not get better. Only four with unique artworks result worth talking about. In first place, the work from the great sculpture artist, a contemporary British, Tony Cragg. His fantastic metamorphosis of the object deserved our award Premio Del Circulo de Criticos de Arte. Other valuable visits were, on the other hand, glances to the past: the Spanish archeological pieces and Russian icons from the XV to the XVIII century. Let\u2019s add the actual Korean art sample, heading by the hurtful men of Dangwood Lee and for the video around the dollar, of Joonho Jeon. The rest of the more attractive visitant groups limited themselves to multiple edition work: the excellent homage to Picasso \u2013printings of the best artists of the XX century-, the two actual German photography groups-H\u00f6fer, Polke, the Beckers, etc.-, the Suisse photographer retrospective-North American Robert Frank. Of Sao Paulo\u2019s Biennial\u2019s uneven selection, we have to highlight Pieter Hugo\u2019s photos and Abdessemet\u2019s videos, from Abdul.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1289\" alt=\"artes-y-letras-crit-1a\" src=\"http:\/\/patriciaclaro.com\/en\/wp-content\/uploads\/2014\/01\/artes-y-letras-crit-1a.jpg\" width=\"900\" height=\"1648\" srcset=\"http:\/\/patriciaclaro.com\/en\/wp-content\/uploads\/2014\/01\/artes-y-letras-crit-1a.jpg 900w, http:\/\/patriciaclaro.com\/en\/wp-content\/uploads\/2014\/01\/artes-y-letras-crit-1a-559x1024.jpg 559w, http:\/\/patriciaclaro.com\/en\/wp-content\/uploads\/2014\/01\/artes-y-letras-crit-1a-338x618.jpg 338w, http:\/\/patriciaclaro.com\/en\/wp-content\/uploads\/2014\/01\/artes-y-letras-crit-1a-450x824.jpg 450w, http:\/\/patriciaclaro.com\/en\/wp-content\/uploads\/2014\/01\/artes-y-letras-crit-1a-257x470.jpg 257w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/p>\n<p>The national ambit did produce various important exhibitions. In sculpture, Francisca Nu\u00f1ez\u2019s retrospective and delirious botched paintings amazed. Another journey over a decade it\u2019s being dedicated to Marta Colvin. Teresa Gazitua presented herself with recent volumes \u2013stoned metaphor of the Chilean river-, Tatiana Alamos and her exotic culture mix, pretty wooden work from De la Puente, the \u201ccochayuyos\u201d from Lise Moller, Marcela Correa, David Cofr\u00e9, Javier Arentsen and a new name, Mauricio Garrido, with boxes and an ensemble about E. A. Poe.<!--more--><\/p>\n<p>The graphic had Eduardo Vilches\u2019s powerful silhouettes, the inventive Javiera Moreira, the cinematographic posters from the pair Mu\u00f1oz-Villena, work from Oscar Concha and Jorge Lankin. There\u2019s also promising newness, from Constanza Cox, Adelaida Larra\u00edn, Andr\u00e9s Heisen and Manuel Feli\u00fa.<\/p>\n<p>In the video genre, the interesting ones came from the unknown Ingrid Wildi &#8211; documentaries- and Alicia Villarreal \u2013neighborhood museum-. The Chilean photographer reached big moments with the exciting \u201cCautivas\u201d from Jorge Brantmayer, with the rigorous photomontages from Sachiyo Nishimura, and the singular views from Silva-Avaria. A date joined photographers from France, Argentina and Chile. The installations, for their part, found artists like Godoy and Rosennmann \u2013splendid \u201cThe Beautiful Lieutenant\u201d-, like Beatriz Leyton- figurative illusion with lights and pins-, Aninat-Swinburn, Rub\u00e9n Castillo, Josefina Fontecilla, Yennifer Becerra and Isidora Correa. B\u00e1rbara Palomino was an attractive beginner.<\/p>\n<p>Una cita reuni\u00f3, asimismo, fot\u00f3grafos de Francia, Argentina y Chile. Las instalaciones, por su parte, hallaron ejecutores como Godoy y Rosennmann -espl\u00e9ndido &#8220;El Teniente Bello&#8221;-, como Beatriz Leyton-ilusi\u00f3n figurativa con luces y alfileres-, Aninat-Swinburn, Rub\u00e9n Castillo, Josefina Fontecilla, Yennifer Becerra e Isidora Correa. B\u00e1rbara Palomino fue una atrayente primeriza.<\/p>\n<p>It remains to highlight the positive in the pictorial area. Let\u2019s start with the artists with future: Maite Izquierdo, Salvador Amen\u00e1bar, Felipe Cusicanqui and Patricia Claro. On the other extremes were the retrospectives from Roser Bru \u2013always with claw-, the large group of Carlos Altamirano, and the very reduced of Matilde P\u00e9rez, Ruperto C\u00e1diz and Ren\u00e9 Poblete.<\/p>\n<p>Already inside the recent painting samples, it is worth to remember Jos\u00e9 Balmes\u2019s work \u2013in plain operation-, Roberto Geisse \u2013homage to the stone-, Ricardo Yrarr\u00e1zaval \u2013the man under the digital view-, Rodrigo Cabezas, Gracia Barrios, Ximena Cousi\u00f1o \u2013 unexpected progress-, Bruna Truffa and her ironic Chinese incarnation, Jorge Tacla, Josefina Guilistasti, Eliana Simonetti\u2019s collages, Catalina Prado\u2019s dreams, Patricia Israel\u2019s swans; Benmayor, Pablo Chiuminatto, Leonardo Murialdo, Paz Lira, Angela Leible and her horses.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artes y Letras, EL MERCURIO. Waldemar Sommer. With respect to the traditionally poor quality of foreign exhibitions \u2013 it seems like our Los Andes mountain stops them-, the year that &hellip;<\/p>\n","protected":false},"author":1,"featured_media":1289,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1286","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica"],"jetpack_featured_media_url":"http:\/\/patriciaclaro.com\/en\/wp-content\/uploads\/2014\/01\/artes-y-letras-crit-1a.jpg","_links":{"self":[{"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=\/wp\/v2\/posts\/1286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1286"}],"version-history":[{"count":10,"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=\/wp\/v2\/posts\/1286\/revisions"}],"predecessor-version":[{"id":1528,"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=\/wp\/v2\/posts\/1286\/revisions\/1528"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=\/wp\/v2\/media\/1289"}],"wp:attachment":[{"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1286"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/patriciaclaro.com\/en\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}